Sunday, March 6, 2016

C’est aussi intéressant & aussi difficile de bien dire une chôse que de peindre une chôse.




« Il y a tant de gens surtout dans les copains qui s’imaginent que les paroles ne sont rien. 

Au contraire n’est ce pas, c’est aussi intéressant
& aussi difficile de bien dire une chôse que de peindre une chôse. »

Vincent van Gogh à Émile Bernard, le 19 avril 1888





Up until 1886 Van Gogh wrote almost all his letters in Dutch, and thereafter almost always in French. The ratio of Dutch to French is roughly 2:1.33 His French was very good, thanks to his contacts with Francophones and his reading. He regularly came into contact with it from the age of 16, not just from what he read but also in the daily business of the art trade. French was the language of the upper classes in Holland, and in addition The Hague was the political, diplomatic and cultural capital of the Netherlands. It stands to reason that he took French lessons for his work, or was obliged to take them.34 Moreover, he spent a total of a year in Paris while working for Goupil & Cie, and was almost three years in Francophone surroundings in the Borinage and Brussels. After spending a further two years living and working in Paris (1886-1888), he consequently told his sisterWil, to whom he had previously written in Dutch: ‘If you’ll let me write to you in French, that will really make my letter easier for me’ (670). He and Theo also corresponded in French, and the letters that he later wrote to his mother show that he had lost his facility with Dutch. They are wooden and less fluent.

http://vangoghletters.org/vg/letter_writer_3.html



Pierre Corneille




Mon amour est trop fort pour cette 

politique.






http://crdp.ac-paris.fr/piece-demontee/pdf/surena_annexes.pdf

Wednesday, March 2, 2016

La medaille et son revers





Quand je dis la verite, je me sens dans ma peau et je m'approche du Dieu.

Quand je mens, voire a moi-meme, je ne suis pas plus fort, quoiqu'il me semble au moment que j'echappe provisoirement a des ennuis.


-Lily H.





Sunday, February 28, 2016

"France isn’t a U.S. subsidiary." (Gérard Araud, former French ambassador to the United Nations )



France and Britain were pushing hard for a Security Council vote on a resolution supporting a no-fly zone in Libya to prevent Colonel Qaddafi from slaughtering his opponents. Ms. Rice was calling to push back, in characteristically salty language.
“She says, and I quote, ‘You are not going to drag us into your shitty war,’” said Mr. Araud, now France’s ambassador in Washington. “She said, ‘We’ll be obliged to follow and support you, and we don’t want to.’ The conversation got tense. I answered, ‘France isn’t a U.S. subsidiary.’ It was the Obama policy at the time that they didn’t want a new Arab war.”

http://www.nytimes.com/2016/02/28/us/politics/hillary-clinton-libya.html

A seller's market for LWG and a lonely voice. The New York Times is an avid buyer.



1.


"African-Americans cannot be racist.  They can be only prejudiced."

In the marketplace of ideas, The New York Times sells liberal white guilt (LWG) to customers who seem to be unable to buy enough of it.

It's a seller's market.

But I won't buy it.

-Lily H.





2.


眼 不见  心 不  烦

I think I understand the meaning of this Chinese proverb.

But I saw.   Did you?  Have you?

But I heard.  Did you?

But I felt.

And I don't pretend I hadn't.   

I will not buy someone's hatred with my guilt.

And this has made all the difference in the world.

If only so many Asian-Americans were such avid, slavish followers.  I didn't say "copy-cats."*



* http://www.nwasianweekly.com/2016/02/seattleites-rallying-for-liang-clash-with-counter-protesters/

"During one of the Seattle Chinese Alliances for Equality speaker’s remarks, a group of about 10 Gurley supporters pushed their way through the crowd and onto the stage.
A struggle to gain control of the microphone quickly ensued. Each group used loud voices and tried to drown out the other side. Eventually there was a compromise and the counter-ralliers spoke for five minutes."
 


 


 




Friday, January 22, 2016

What is "to know"?



You cannot suppress "the will to history."    The task of the historian, as with any human being actually, is to delve into the unwritten history, the history that no one wanted (or wants) to talk about.  The connection with the visual arts...well, I don't know...but I do want to feel, to see. and perhaps to know when I am brave enough to confront my, and maybe our, history.

The dharma is not broken nor lost nor forgotten. 
 

Monday, January 18, 2016

ὁ ... ἀνεξέταστος βίος οὐ βιωτὸς ἀνθρώπῳ





ὁ ... ἀνεξέταστος βίος οὐ βιωτὸς ἀνθρώπῳ

https://en.wikipedia.org/wiki/The_unexamined_life_is_not_worth_living